Chrissy zebby tembo my ancestors3/5/2023 No matter though: this is a terrific record, and adventurous lovers of fuzz guitar owe it to themselves to check it out. Tembo served as Ngozi’s drummer but this time, the billing is reversed, with Tembo’s name on the album and Ngozi noodling away in the background. Now comes My Ancestors by Chrissy Zebby Tembo. Last year’s 4-disc retrospective of the band Witch served as a landmark-one that is sadly already unavailable on -and records like Paul Ngozi’s The Ghetto were able to reach a wide and appreciateive audience. Zamrock, as it is known, was rarely heard outside of the African continent until recently, when the Shadoks label teamed up with QDK media to reissue and distribute albums that had long gone out of print. Listen to the shows live when they air or click on any show below to listen at any time you like in the archives.Rock music from the southwest African country of Zambia first rose to prominence in the 1970s. 1, with a second volume in the wings for June.Ī good portion of what we'll hear on Wednesday comes from these remastered reissues, along with similar efforts by Strawberry Rain and Shadoks, but a number of the tracks we'll hear are from crackly original vinyl shared by bloggers around the world.īodega Pop Live airs Wednesdays from 7:00-10:00 PM Eastern Time on WFMU's Give the Drummer Radio Earlier this month they announced the release of Welcome to Zamrock! Vol. Since 2010, working with Ililonga, Chanda and other survivors, Now-Again Records has reissued a number of boxed-set retrospectives and single-album titles from the era, including all five WITCH albums before Chandra left the group. Few playable copies of even the top acts of the era exist not even Chanda and Ililonga, the sole survivors of their respective bands WITCH and Musi-O-Tunya, had copies of all of their records when foreigners started showing up in the aughts looking to reissue some of the defining albums. It is a history that has made preservation of the music difficult. In the 1980s, many of those musicians whose careers hadn't yet been silenced by evaporating record sales faced a much greater horror: the AIDS epidemic devastated the local music industry, taking with it the lives of a disproportionate number of Zambia's artists. And, once pressed, a Zambian record was virtually assured air time.īut the country's economy was dependent on copper and, when the price fell in 1974, Zambia slid into debt and living standards fell. Unable to tune in and get their fix of British and American rock and funk, of Nigerian afrobeat, they had to create more of their own. Heavily influenced by Jimi Hendrix and James Brown (who in 1970 gave culture-shifting performances in Zambia's capital, Lusaka, and in the country's copper mining center, Ndola), participants in Zambia's rock scene may have been further spurred on by an unlikely irritant: President Kenneth Kaunda's decree sometime in the mid- to late-1970s that 95% of music on the radio had to be Zambian. "There was a kind of magic here," Emanuel "Jagari" Chanda, lead singer of the legendary band WITCH, has said of Zambia in the 1970s, when he, along with Rikki Ililonga, Paul Ngozi, Zimbabwean-born Teddy Khuluzwa, Keith Mlevhu and dozens of others recorded some of the greatest rock 'n' roll on the planet. 1972-78.īookmark the page and see you Wednesday night On Wednesday, May 17, from 7-10 PM EDT, Bodega Pop Live on WFMU's Give the Drummer Radio spins ear-searing tracks from more than three dozen Zambian records released ca.
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